It is a type of theater that semreferncia seno the proper one. It is a type of research without theories, is born, it lives esobrevive of practical its. ' ' This on one to the theater of dolls, but temmuitas affinities with the performance and the transformations of the object that, to apartir of dadasmo, always found adepts in the culture contempornea' '. (AMARAL, 1996, p.212) In day-by-day the object it is functional, but in the object theater it passes to the world of the forms of the signs and dossmbolos.2 the SPROUTING OF CIA CORNUCPIA OF TEATROA Company appeared in October of 1987, with the name Group of animation theater Hand-na-mass, under direction and idealizaode Dino Bernardi Jnior, in interview in day 08/10/2009 with Dino it falousobre as it was its formation and as it influenced in the creation of the Cia: ' ' Good, Willian is the following one, then I go to say a little of as all the meupassado one intervened with what today we have as the cornucpia Cia, and today eupercebo of certain form with certain distanciamento as everything this sedesenvolveu' '. (BERNARDI JNIOR, 2009) 2,1 the INFANCY OF DINO BERNARDI JUNIORDurante its infancy, Dino tevealgumas artistic influences that had collaborated very for its formation, since familiar oincentivo until the education escolar.' ' Since small, I had much affection for toys where I could criarsituaes, to represent universes, I very liked to move with these I bichinhosem miniatures, to mount farms, to mount zoos, also I I had much acessoa modeling, I I had relatives that they were painters. Then since very early eutive a very on education to the visual arts and the plastic arts, muitacoisa came spontaneously, I liveed close to ceramics and my uncle compravapra me clay and I went having much contact with this material, my davalpis mother me of color, and a very important thing was I to have studied, when small, in a school of the state that was of ' ' ponta' ' , with an educator chamadLurdes Sampaio, it was an educator who it brought already some experinciasligadas to a reformularization of the imperavamais traditional school where the creativity, and it worked this very and one of the resources that it used was oteatro of doll and also one petty cash of shoe who was very magical where the deep one of this box elarecortava, it placed a paper of yields and put a candle is slow it cut some silhouettes and it counted histories for people. he issue.
A conqueror dominates a territory and to happen from time, culture is imposed on the quasi-local population, but this model is not always accurate in its development. JANA Partners activist contains valuable tech resources. The culture shock was followed by the subsequent language change meant the displacement of local languages Catacaos, Colan, Sechura Huancapampa Huayacuntu and Andean pan by language (Quechua) and European (Castilian). Apparently local languages did not show an attitude permeable against loans from other languages that were imposed violently (Quechua – Castilian) have happened otherwise could have survived. Possible stages postulate that happened the extinction of the native languages of Piura. First Stage: Siglo XVI. After the arrival of the Spanish in 1532 local languages are languages circulating among various chiefdoms, where communication between them even though they differ in ecosystems is feasible, thanks to the commercial interaction and in some cases the relationship of origin and occurred with Catacaos and Colan, Ayahuaca and avocado, etc.
The chiefdoms in this first stage maintain their natural languages. Quechua Inca domination imposed cease to speak in the common population, limiting their use to MITM enclaves. Local languages are constituted in "language in" political and cultural resistance. The encomienda as a royal grant was to divide a group of indigenous families to Spanish, which gave him the right to receive the tribute of the Indians and gave the Spanish a duty to protect and ensure religious instruction. In Piura 3557 there were 29 parcels with tax. With the encomienda is disturbed and split the old chiefdoms.
Modern tradition and significant celebration for men and women of the stag party in Germany the wedding is one of the most important events in a person’s life. Many of the traditions which are transmitted and lived until today are connected with it. This includes also the obligatory bachelor party in addition to Eve. The origin of this event can be found in Greece and has been enriched through fun games and ideas which roots in turn come from the United States. While in German lands, the farewell of the Bachelor existence means stag, the terminology in Austria is slightly different.
Here the same event is called Eve, which is another tradition in Germany again. On the eve of zerdeppern lots of dishes to expel evil spirits and the future married couple a start in the marriage bad unsigned to allow friends and relatives of the bride and groom. But also the women pull the men to celebrate their own hen party and this around the globe. The Organization of the evening is the closest Friends, who have usually lots of ideas for the design. These include games and tasks as well as the selection of appropriate activities, locations and outfits. During the evening, a little money is earned through various games, which are more or less embarrassing, a little to dampen the cost of farewell. Alternatively, the money is included in the honeymoon. Traditionally, men and women celebrate the last night of freedom”strictly separated from each other and often to be adopted which will be surprised with the farewell.
The retiring Bachelor arrives at the tasks and games regularly his personal pain threshold, depending on what he must be just. By a heavy block on the leg or handcuffs, he must carry around all night with about the collecting of kissing up to the sale of useless stuff or the singing in the Mall is a lot imaginable. The culmination of a male stag s is ultimately in a visit to a strip club, is where hope, that the wedding under the impact has not to suffer.